East Contemporary

Category: Exhibitions

Hanart TZ: Inga Svala Thorsdottir and Wu Shanzhuan “Quote!Quote!Quote!”

Hong Kong, Pedder Building, 22 March – 3 May 2018, www.hanart.com This was a very refreshing show amongst the poshness of the Pedder Building, where most galleries decided to hang individual large size products in respectable distance from each other on the freshly painted gallery walls. Hanart TZ was also freshly painted, no question about…

Pearl Lam: Arcangelo Sassolino „Warped Matter Curved Time“

Hong Kong, H Queens, March 27 – 8 May, 2018, https://www.pearllam.com The second, new, space of Pearl Lam in Hong Kong, in the newly opened H Queens building showing Arcangelo Sassolino’s works was both complementary and consistent with the other existing Pearl Lam location is in the Pedder Building, showing abstract painter Huang Yanqing. The…

Art Space Pool “Today, Nobody Was There”

Seoul, March 23 – April 29, 2018, http://www.altpool.org A group show, with a Korean-only introduction – I have heard it was “about” the communication between artist and audience. Artworks by Hyewon Kwon권혜원, Seulki Ki/Yuna Park기슬기ㆍ박은하, Enae Lee이이내, Lim Sodam임소담and Juwon Jeong정주원were on display. Curated by MijungKim김미정.

Arko Art Center: Cody Choi & Lee Wan “Counterbalance: The Stone and the Mountain” (Korean Pavilion Biennale Arte Venice 2017)

Seoul, March 20 – May 20, 2018, http://www.arko.or.kr Last year’s Venice Biennale Korea pavilion came back “home” and is on display at Arko. The package on show is a well-balanced combination of old and new, Korean and international, conceptual and pop, etc. There is almost everything, and the variety that the two artists managed to…

Ilmin Musem of Art “IMA Picks” (Ayoung Kim, Lee Moon Joo, Jung Yoonsuk)

Seoul, February 23 – April 29, 2018, http://ilmin.org The three floors of Ilmin museum contained three mini-solo-shows by three successful mid-career Korean artists. On 1F Ayoung Kim김아영 presents Porosity Valley. The centerpiece of the show was a large projection with a short film utilizing post-internet aesthetics, reminding me of Lawrence Lek’s Sinofuturism or Christopher Kulendran…